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Independent Vs. Signed Artists: The Pros and Cons of Signing to a Record Label

Embarking on a music career in 2024 is easier than it has ever been. Although signing a deal with a major record label has typically been the end goal for many musicians in the past, the music industry is changing fast. Online platforms such as social media and streaming services now provide artists with more flexibility to promote themselves independently and gain some market share on their own. Both signing to a label and “going it alone” come with advantages and drawbacks, so we’re here to help you answer the question that keeps being asked - to sign or not to sign?

Remaining an Independent Artist

  • Pro: Creative & Financial Control
    Independent artists enjoy the freedom to create music on their own terms, maintaining control over their sound, style, visuals and general artistic direction (without having to conform to the demands of a major label).

  • Pro: You own your music
    Independent artists own all of their music and intellectual property rights. This gives them the freedom to make decisions about distribution, monetization and licensing without sharing a large percentage of their profits with a label. Unsigned artists can negotiate their own contracts, ticket pricing, and keep more of their earnings.

  • Con: It’s hard work
    Without the financial backing and industry connections that a major label can offer, an independent artist is responsible for managing all of their own marketing, studio bookings, calendar and admin tasks as well as building their own small but reliable team of producers, engineers, graphic designers, publicists, etc. This takes significant time and effort, and also requires you to develop many skills unrelated to music.

Signing to a Record Label

  • Pro: Reaching larger audiences
    Record labels have well-established distribution networks that can help artists reach international markets. They have the ability to distribute music widely and provide a broad reach to help artists access audiences on a global scale. 

  • Pro: Access to Industry Connections
    Major labels have many connections within the industry that they can leverage to benefit their signed artists. This includes long-standing relationships with radio stations and DJs, streaming platforms, media and press, as well as the best engineers, producers and session musicians. 

  • Con: Creative and Legal Restrictions
    Label contracts often involve complex legal agreements and terms that may not always favor the artist. Signed artists face restrictions on their ability to release music, collaborate, or even control the rights to their own songs. Labels usually control release schedules, marketing and even album content.  

So, Which one is right for you?

At the end of the day, the choice is yours. We have worked with both independent and signed artists; both have their own situation with difficulties and advantages. Many artists thrive with the support and resources that record labels can provide, while others prefer the artistic freedom and control that comes with remaining independent. If creative and financial freedom are important to you, remaining independent might be the best option. Alternatively, if you are looking for the best chance to go global, it might be worth exploring a contract with a record label. 

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The Cave Mixing Tips: Reference Music

This is some key knowledge for all recording studios in Ottawa.

Hey guys, I felt like it was important to start off this blog strong with some wise words straight from the heart of The Cave. Today's tip originates from my childhood understanding of the basics of mixing. I will be writing articles that - I hope - will help young engineers figure out how to best present their work to the world. It's a jungle out there and you gotta make sure that your material stands out versus the competition.

True or false?: If you want your mix to sound like an industry mix, you should listen and reference to other industry mixes in order to get a good idea for where the levels should be sitting? (Yes) We all know what the answer is supposed to be but for SOME reason, many engineers still feel like they can make do without it. My question is why? Why would you challenge the OGs? I feel that the FIRST thing you should do when you step into any studio (including your own) is play a reference mix in order to calibrate your ears to what industry levels for frequency balance and dynamics should sound like. This will help you establish what the levels for your mix should be, regardless of what room you're in. Trust me, unless you woke up lucky today (which does happen to me) then you are not going to come out with the mix you wanted unless you reference other industry songs. One day, some engineer decided what an ideal balance of frequencies for a good mix were and we rolled with it. It's changed a little bit over the years but  THESE ARE FACTS PASSED ON FROM ENGINEER TO ENGINEER OVER THE YEARS.

BRINGING REFERENCE CDS TO EVERY RECORDING STUDIO IS A power MOVE

I was fortunate enough to learn this at an early age. I was about 12 in my basement on a winter in Ottawa with some cheap JVC speakers when it happened. I started by pulling out the classic albums i grew up on like Nas' Illmatic or Dre's Chronic (2001 is better mixed than the original IMHO). Immediately I could tell the differences of the industry mixes versus mine. I had either way more bass or not enough. Too much treble or not enough. After a lot of experience, I can tell you that a common noob engineer mistake is to make the voice too bright and too skinny. I don't blame you. Sometimes, especially in untreated rooms, it's hard to tell what could be wrong with a mix and why it's not sounding fully cohesive. This has to do with the physics of sound and how different frequencies react in different room settings. Most guys start off in the bedroom or the basement, like me.

Now, I recommend that you listen to modern songs and those that you feel have the best mixing. I've included a few links to some albums that I personally feel are mixed and mastered amazingly.

Good luck my young mix gods.

LJ out 

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